Owarimonogatari Ep. 11 – As We Were Told
The debate between Shinobu and Kanbaru this episode is interesting even by –monogatari standards. Their dialogue gives us a lot to think about, while simultaneously telling us exactly what to think. Yet, the telling in this scene isn’t the same as bad telling (i.e. ‘I was scared’), nor it is quite the same as good telling (i.e. Hibike Euphonium revealing Reina’s flaws by telling us “band isn’t an individual activity”). To figure out what exactly this new telling is, obviously we need to check out some dialogue.
Shinobu Mail is a story of Shinobu’s past with the Apparition Killer, and their eventual meeting and resolution of conflict. That’s how’d you summarize it, anyway. Throughout this arc are themes of repetition and the hope for an ending. We spent a lot of time looking into repetition two episodes ago, and Owarimonogatari essentially means ‘End Story’. How do these themes play into the conversation between Shinobu and Kanbaru, and what do the characters tell us about this story via those themes?
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Owarimonogatari Ep. 8 – Shifting Shinobu
Proving once and for all that dreams can indeed come true, Shinobu returns to the screen in Episode 8. She’s one of the world’s most powerful apparitions trapped in a child’s body, or that’s how Araragi/we perceive her, anyway. If we leap back to Nekomonogatari Black for a second, Oshino says “apparitions are made of human belief”—that “apparitions appear and behave according to the environs.” He goes on to say that Araragi’s perception of Shinobu, and his behavior in light of that perception, affect how Shinbou will act. Well, specifically, he says anyone who acknowledges Shinobu will affect her.
Evidence of this influence can be seen throughout the series (the scene with Shinobu on a throne in Tsukimonogatari comes to mind as good example). In addition, the style and cinematography of the scene changes to accent the changes in Shinobu’s behavior. Since we have two characters influencing the little vampire in two distinct ways at the end of Episode 8, why don’t we take a look at what I mean?
Let’s set up the ways in which Araragi and Kanbaru view Shinobu, respectively. I’d argue that Araragi views Shinobu as mostly cute/moe, like a semi-helpless little girl carrying too large a load up some stairs and trying her hardest to do it alone. Think about the various donut scenes where Araragi acts almost fatherly, as well as that throne scene in Tsukimonogatari where Araragi consoles Shinobu’s wounded pride. I’d also say Kanbaru sees Shinobu as a cool heartthrob. Kanbaru is super-excitable and weak in the knees around Shinobu, and tries to put on mature, laid-back airs when speaking to her. She doesn’t want to protect a cute Shinobu so much as, let’s say, woo/be wooed by her (Shinobu calls Kanbaru a pervert, after all).
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