Ensemble in the Background – A Hibike! Euphonium Analysis
With the announcement of a second season, I decided to return to Hibike! Euphonium essays early. An aspect of Hibike! that is often mentioned in passing, but rarely truly appreciated is the ‘ensemble’ cast of the background characters. The physical setting of the world is beautified by stunning backdrops, but the social setting is dressed with equally vibrant feathers. Kitauji’s band is not a ghost town.
Now, Hibike! doesn’t have an ensemble cast. The story is told from Kumiko’s perspective and she clearly dominates the screentime. However, the background characters (namely everyone populating the band) aren’t simply stamped with the ‘everyone else’ role. They have (relatively) unique character designs, a specific instrument that they play, and a personality they always abide by. The band is alive, and all the background characters form a sub-level ensemble where they all seem to matter more than background characters typically do.
Take Knuckles, for example. He has maybe a minute of screentime the entire show, but he has a nickname! He’s the percussion section leader, and he loves playing percussion. We hardly get to see him, but I can say (perhaps with more certainty than I can say anything else about this show) that Knuckles loves percussion. He hypes his section up when introducing it to the first years. He also always carries around a towel, presumably because he plays so intensely that he needs to wipe his sweat. He’s always ready to give his all.